Review: Nanay Bangis by Dulaang UP – A Bold Adaptation of Survival and Strength

Disclaimer: This review is based on the technical dress rehearsal of Dulaang UP’s Nanay Bangis. Some elements may change in the final performance.

Dulaang Unibersidad ng Pilipinas (Dulaang UP) opens its 47th season with Nanay Bangis, a fearless Filipino adaptation of Bertolt Brecht’s Mother Courage and Her Children, set in 1970s Mindanao. This adaptation tackles themes of survival and resilience against a backdrop of political conflict, bringing new life and urgency to a classic anti-war narrative.

Exceptional Lead and Supporting Cast

At the heart of Nanay Bangis is Geraldine Villamil, who brings fierce energy and depth to the role of a mother who must make tough choices to protect her family in the midst of chaos. Villamil's portrayal is both relatable and moving, striking a balance between humor and intensity as her character navigates the moral complexities of survival. She embodies a sense of strength that feels deeply grounded in Filipino culture, making Nanay Bangis a compelling character whose decisions resonate with the audience.

Khay Eva’s performance as Nanay Bangis’ mute daughter adds another layer to the story. Without spoken lines, Eva communicates through expressions, gestures, and occasional incoherent sounds, capturing her character’s inner life with sincerity. Her portrayal highlights the strength of those who often go unheard, creating a strong representation of quiet resilience and inclusivity. The role is impactful and memorable, adding to the emotional weight of the play.

Air Paz, Ronah Rostata-de la Peña, and Jigger Sementilla also contribute richly to the story, each bringing their own unique dimension to the play’s portrayal of community. Their performances highlight the struggles of those living on the margins of society, and their characters complement Villamil’s and Eva’s in a way that feels genuine and grounded. The ensemble as a whole captures a sense of togetherness amid hardship, enhancing the authenticity of the play’s world.

Engaging and Dynamic Storytelling

Director J. William Herbert Sigmund Go approaches Nanay Bangis with Brecht’s signature “epic theater” style, breaking traditional storytelling conventions to keep the audience engaged and reflective. By combining moments of humor with scenes of gravity, the play underscores the absurdities and challenges of life during conflict. This unpredictable rhythm keeps viewers attentive, while sudden shifts in tone emphasize the play’s anti-war message, encouraging the audience to think critically about the human cost of survival.

That said, certain scenes feel slightly extended, which can slow the pace. Tightening a few of these moments would enhance the play’s momentum, making the storytelling even more impactful. While Nanay Bangis draws some stylistic cues from Kung Paano Nanalo sa Karera si Rosang Taba, it stands out on its own by highlighting themes of family and survival in a uniquely Filipino context.

Effective Use of Set and Technical Elements

The set design is simple yet effective, using minimal props to evoke the rugged landscapes of rural Mindanao. The design choices ground the play’s atmosphere, allowing the audience to focus on the characters and story. Traditional costumes further enhance the authenticity, reflecting the era and helping transport the audience into the play’s world.

However, there were a few technical issues during the dress rehearsal, particularly with audio and lighting. Some lines were challenging to hear, and lighting inconsistencies left certain parts of the stage underlit, which occasionally detracted from key moments. Adjusting these elements would help the production maintain its impact, ensuring that the audience remains fully immersed in the story.

Final Thoughts: A Powerful Start to the Season

Nanay Bangis is a powerful exploration of survival, resilience, and moral complexity, brought to life by a talented cast and thoughtful direction. Villamil and Eva deliver standout performances that anchor the play, supported by an ensemble that breathes life into the story’s themes of community and endurance. Despite a few technical rough edges, the production is deeply engaging, providing a window into Filipino history and spirit.

For audiences seeking a theater experience that blends humor, drama, and social reflection, Nanay Bangis is a must-watch. It’s a compelling start to Dulaang UP’s season, offering a story that feels both personal and universal, highlighting the depth of Filipino theater.

Show Dates: November 15 - December 1, 2024, at IBG-KAL Theater, UP Diliman. Performances are Fridays at 7:30 PM, Saturdays at 2:30 PM and 7:30 PM, and Sundays at 10:30 AM and 2:30 PM.